Grevel Lindop

Poet, biographer, critic, essayist and writer on just about everything


I’m celebrating, because this week I sent off the final draft of my biography of Charles Williams to Oxford University Press – and a new collection of poems to  Carcanet Press. Both, I hope, for publication in autumn 2015.


Charles Williams reading aloud: E.G. Pierce, 1936

I’ll talk about the poems in a future post. This time I’ll concentrate on the Charles Williams biography. It will be called Charles Williams: The Third Inkling because Williams was a central member of the Inklings, the informal group of Oxford writers whose best-known members were C.S. Lewis and J.R.R. Tolkien.

Charles Williams – poet, dramatist, writer of metaphysical thrillers, critic, theologian, biographer, occultist and amazingly charismatic lecturer – lived from 1886 to 1945 and is far too little known. His life is a fascinating one, and much of his work is well worth rediscovering.

And Williams is a writer to be reckoned with. Ruth Rendell nominated his metaphysical thriller All Hallows’ Eve as her favourite book on BBC Radio 4; Sir Geoffrey Hill in his Clark Lectures called Williams ‘a great critic’ and his book The English Poetic Mind ‘a critical masterpiece’; C.S. Lewis said of Williams’s Arthurian poems, ‘they seem to me, both for the soaring and gorgeous novelty of their technique and for their profound wisdom, to be among the two or three most valuable books of verse produced in the [twentieth] century’.

Charles Williams had an extraordinary life, and thanks to newly-opened archives containing thousands of letters, and more than twenty interviews with people who knew him, I have been able to trace his life in vivid – and, I think, highly readable – detail. We follow him from the poverty of his childhood in London, through his rise from humble proof reader to senior editor at the Oxford University Press, where he had a long and painful love affair with a colleague; we trace the gradual development of his poetic talent, alongside his involvement with Rosicrucian occultism – where the book allows you into the secret initiatory rituals Williams underwent – and on to wartime Oxford, where he becomes a close friend of Lewis and Tolkien and completes his remarkable late flowering as the twentieth century’s major poet of Arthur and the Grail.

Through good luck and the generosity of private owners, the book will reproduce almost forty drawings and photographs of Williams and his associates, many never published before and some only recently discovered. (Just as a taster, I’ve put one on this page – a drawing of CW reading aloud, by E.G. Pierce – a fine drawing never before reproduced as far as I know.) The book will answer many questions: it will clarify at last what his relationship really was with the Hermetic Order of the Golden Dawn; and it will recreate, from Williams’s own notes, much of the famous lecture on Milton’s Comus which led C.S. Lewis to exclaim that Oxford University’s Divinity School ‘had probably not witnessed anything so important since some of the great medieval or Renaissance lectures.’

Williams is the missing centrepiece from the story of twentieth-century British literature. At the start of his career he was associating with Edwardian poets Alice Meynell and Robert Bridges; later his closest friends included not only C.S. Lewis and Tolkien but T.S. Eliot and Dylan Thomas; he was an inspiration to young poets of the World War II generation like Sidney Keyes, Drummond Allison and John  Heath-Stubbs; and he drank in the Oxford pubs with Kingsley Amis and Philip Larkin. It’s an astonishing story.

I owe great debts of gratitude to innumerable people who have helped with the work, including former friends and students of Charles Williams (notably the late Lois Lang-Sims), Williams scholars including David Llewellyn Dodds, and the trustees and archivists of the Bodleian Library at Oxford and the Marion E. Wade Center at Wheaton College, Illinois, the two libraries that hold the major share of Williams’s papers. I was generously supported by both an Invited Visiting Scholarship at St John’s College, Oxford, and a Clyde S. Kilby Research Grant from Wheaton College, Illinois. The Charles Williams Society and the Society of the Inner Light also gave generous support. The many others who helped in so many ways are acknowledged in the book.

There’s much more to say, and of course there’s more work ahead = copy-editing queries, proofs to correct, indexing, and so on – but right now I’m heaving a big sigh of relief and looking forward to Christmas! I hope you have a wonderful holiday and a very happy New Year.


  • David Llewellyn Dodds


    Happy New Year! What delightful news! And what a handful of gems in this brief post – including Rendell, Hill, Amis and Larkin, and the Pierce drawing: wow! (How quietly vivid that is! It looks like the right size for a Temple Classics volume – Dante? – or a notebook with new work…) Congratulations – and all good wishes for the work ahead (whew)!

  • Grevel


    Many thanks, David; and I should have acknowledged your help at various points in the book, when we were in almost daily dialogue by email! I hope you will enjoy it, and find that it lays a solid foundation for future Williams studies. Happy New Year!

  • Dean Wiegert


    Congratulations on completion of the Williams draft. I look forward to being able to purchase a copy sometime later in the year. I’ve been watching for word of it since I found out you were writing this. I’m interested in Williams but don’t know a great deal about him so this biography is exactly what I am looking for.

  • Grevel


    Many thanks, Dean: it’s been a long haul but we’re nearly there now! Oxford University Press are talking about publication in autumn 2015 and I am awaiting a more precise date, which I shall put on this website and on Twitter as soon as I get it. I hope you’ll enjpoy the book: I think it tells an amazing story!

  • Phil Melton


    I stumbled across the news about your book on Amazon a couple of days ago. I first encountered Williams and his writings as a high school student in the late 1960s. Since that time I’ve wondered why he and his work have been so neglected. Thanks for taking a big step toward correcting that problem. I couldn’t look forward to reading anything more this year than this biography.

  • Grevel


    Many thanks, Phil: I’m delighted that you share my feeling that Williams is a fascinating and underrated figure. His life story is extraordinary – even stranger than I expected when I began my research – and I hope the book will help to introduce him to new generations of readers, and be a foundation for reassessment and study. I’ll let you know when the book is available (and of any advance discounts there might be). Your encouragement is greatly appreciated!

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