I’ll be researching my next salsa review later this week. Meanwhile I couldn’t resist posting this superb video from Alexander Abreu and Havana D’Primera. It was Kerry Ribchester of Key2Cuba who drew my attention to it, on Facebook.
Alexander Abreu and his band are one of the very finest Cuban bands, but another reason for posting this video is that a lot of the dancing is by MEN. And it’s a great demonstration of something they never teach male students at UK salsa classes: HOW TO MOVE THE UPPER BODY.
Watch a bunch of British men dancing salsa and you’ll mostly see them with slightly-hunched shoulders and flat chests. There’s no dynamism in the upper body.
When I say ‘flat chests’, I’m not advocating that men develop boobs. What I mean is that when dancing salsa, a man needs to expand the chest slightly up and forwards, and push the shoulder blades a little bit back. If you do that, the chest suddenly becomes positive; you look and feel confident, alert, ready for anything: to charm a woman, to handle a fight, to compete and win. (Maybe you don’t need to do any of these things, but when you dance salsa you want to look and feel as if you could!) And the upper body takes a positive part in the dance. Your style will immediately improve. Check it out with a mirror and practise!
Watch the guys in this video and you’ll see what I mean. And when I call this a secret, it’s because you won’t usually learn this in the UK. I had to visit Cuba four times before I was taught this. (And yes, thanks, you can pay me later if you insist!)
Amazingly, I have a photo of the very same domino table that appears in the video, taken in Calle San Miguel, Centro Habana in 2005 – I think some of the same players are there, only a bit younger! Here it is:
Domino Players, Calle San Miguel, Centro Habana, 2005
Anyway, enjoy the video. And if you’ve always dreamed of visiting Cuba, go now and go with Key2Cuba, who will give you the most authentic experience. And in the meantime, you can join me on my first visit to Cuba, and come with me exploring salsa across Latin America and the Caribbean, in my book Travels on the Dance Floor. Just click on this link to get 30%off:
This week, for the second in my series surveying Manchester salsa classes and events, I’m looking at Mancuban Salsa – especially their Monday evening classes.
Les and Lorraine of Mancuban were among the earliest teachers to offer Salsa in Manchester, and their classes are still up there with the very best of the Cuban Salsa scene. In fact they’ve gone from strength to strength, thanks to regular visits to Cuba to work with leading professional Cuban dancers. This means that they have a wealth of authentic experience in Rumba and Orishas as well as in mainstream Salsa and are able to teach all of these.
Monday evening classes are at the Ape and Apple pub, 28-30 John Dalton Street, Manchester M2 6HQ (Beginners and Improvers 7:15; Intermediate Salsa/Casino Rueda 8.00; Advanced Cuban Salsa 9.00; dancing 10-11. £5 per class, two classes for £9). Amanda and I have been fairly frequent attenders at these, and always get a lot out of them.
Stylish dancing between classes @ the Ape and Apple
Lorraine’s an inspiring teacher who works to a very high standard, yet manages to do it without being intimidating. She’s an enthusiastic and encouraging teacher for beginners; and for the more experienced, she has a sense of how to help dancers develop and improve by gentle attention to small details. Lorraine’s years of experience with many kinds of Cuban dance give her a depth of knowledge which is genuinely rare in the UK.
Les, besides having a similar level of experience with Cuban dance, is one of the most purely entertaining teachers I’ve come across (readers of my book Travels on the Dance Floor will spot him there as the teacher ‘who could have made a living as a stand-up comedian’!). At the advanced level he tends to specialise in teaching quite intricate moves – there’s always that ‘little bit on the end’ that I find quite challenging, being a bit of a slow learner myself. But the advantage is that even if you remember only a quarter of a move, you usually come away with something new that you can actually use on the dancefloor.
The Rueda classes often include elements of Orisha dances – the Afro-Cuban dances associated with the West African gods brought to Cuba by the slaves and fused into the Cuban religious culture of Santería. This is truly valuable, because Salsa gets its spiritual dimension from the elements of Afro-Cuban religion that find their way into the music and dance. You may not know it, but many of the tracks you dance to in clubs or classes have lyrics about the Santería gods: this is spiritual music that’s completely at home in a secular context. (I have a theory that this is one reason Salsa is so addictive: it works on levels other dances don’t reach!)
The venue has a good wooden dancefloor, and Les’s sound system is outstanding – both he and Lorraine do a lot of DJing – and there’s a fair amount of time for free dancing between and after the classes. It’s a notably friendly crowd so newcomers at all levels get a warm welcome.
Other points to consider: Classes are upstairs in a pub; if you want a drink you’ll need to bring it up from the bar downstairs. And we tend to be on Cuban time here: classes often run over and things are fairly relaxed, so don’t expect your class to start and finish exactly on time!
If you want to learn more about links between Salsa and the Afro-Cuban gods, or simply escape February in the UK for a Salsa tour of the Caribbean, try my book Travels on the Dance Floor (currently available at 30%off) – just follow this link:
Other Mancuban classes to note: Friday 10 a.m. to 12 noon at Langworthy Cornerstone, 451 Liverpool St, Salford M6 5QQ: Casino Rueda and Afro-Cuban, mixed levels, £6; and Sundays 3 pm at The Jam Inn, 537-539 Wilbraham Rd, Chorlton, Manchester M21 0UE: Cuban Son, £5 (a really unusual class, which I’ll write about in a future post!).
This week I’m writing about Solar Salsa – first of a series in which I plan to review as many Manchester salsa classes & events as I can. There’s so much going on in the city that it’s easy to miss good things. And for beginners it can be hard to know where to start. Hopefully these reviews can help – and I can have some fun doing the research!
Solar Salsa: Special session last year with visiting teacher Kerry Ribchester of Key2Cuba (centre, in black); Pauline at front, in white
SOLAR SALSA is an easy place for me to start: I’ve been a regular for some years. Classes take place on Tuesdays and Thursdays downstairs at the Spread Eagle in Chorlton (526-528 Wilbraham Rd, Manchester M21 9LD) with Beginners’ and Improvers’ classes at 7.30 pm, Intermediate and Advanced at 9 pm. The style is emphatically Cuban. The main emphasis is on RUEDA: salsa circle dancing, changing partners with someone calling the moves.
Mandy explains the finer points of the next move!
There’s a team of experienced teachers: Pauline and Mandy mainly taking Improvers and Advanced classes, with Mike and Christine taking Beginners and Intermediate.
For me the biggest feature of Solar (and the reason I started going) is that it’s FUN! It’s consistently friendly, totally welcoming and there’s a lot of laughter, particularly owing to Pauline’s incredibly positive attitude. I don’t know how she does it, but Pauline is the most positive person I’ve ever met: I think the title Solar Salsa must reflect not just her belief in renewable energy but her sunny disposition! That’s not to say everyone doesn’t work hard, but the atmosphere is always very happy. It’s a class that’s guaranteed to cheer you up if you need it. No other class I’ve been to is quite so consistently positive. GREAT FOR BEGINNERS!
A close second in importance is that Solar is one of the very few classes which teach authentic Cuban body movement. Mandy goes to Cuba often, works with Cuban teachers and has danced on stage with Cuban bands. She has a full understanding of Cuban styling and ‘body isolation’ – as Mike also has from a male point of view. Cuban body movement is something that very few classes in the UK can genuinely offer. But it makes all the difference: without it, salsa is just a lot of footsteps and arm movements. But once you have the body core movement, the whole experience is different, and even dancers knowing only a few moves become elegant and exciting. There is no substitute.
The emphasis on Rueda is something that might not suit everyone. It’s a very good way for beginners to learn, but some people find it daunting to start couple-dancing alone when they’re only used to dancing rueda. The Thursday classes try to emphasise couple dancing more, but still the rueda emphasis can creep in. If you hate rueda, this might not be the class for you.
Numbers of dancers are currently good: classes are well-attended without being crowded and generally there’s a good balance of men and women. In the more advanced classes there are normally some female leaders: great if you’re a woman and want to learn to lead, not quite so great if you’re a woman and really want to dance all the time with guys!
Classes are good value: currently £6 for the whole evening, no matter if you take one class or two; plus you get some free dancing – usually about three tracks between classes. That said, there isn’t a great deal of free dancing.
(Check out the video above, with Los Van Van and Key2Cuba: can you spot Mandy (orange, pink and green dress) in the rueda?)
A couple of things to watch out for: (1) Classes begin very punctually (unusual in the salsa world)! If you’re not on time you’ll miss the warm-ups. (2) Dancing is mostly on carpet – though this isn’t nearly as much of a problem as you might think. It’s a thin hard carpet and mostly I forget I’m on it. Plus this is due to change: a new floor is supposed to be installed sometime soon. But if you have knee problems and need a totally smooth floor it could be a deterrent.
Overall this is a fun class, good value, excellent for beginners, with an authentic Cuban connection. Points to consider: Emphasis on Rueda; short period of free dancing; dancing on carpet. RECOMMENDED.
And finally: to cheer up your winter with a salsa adventure in Cuba, Venezuela, Colombia, Panama, Puerto Rico and Miami, why not read my book Travels on the Dance Floor, availabl;e by following this link (quote code DANCE for a 30%discount!):
Wishing all my friends a very happy New Year and all the best for 2016! Especially all my salsa friends in Manchester and the UK and also across the world – special greetings to Geldys Morales in Cuba, Gustavo Salsa Power in Caracas, and Francisco Buckley ‘Bush’ in Panama.
To start the new year with something beautiful, here’s ‘Amanece el Nuevo Año’ (‘The New Year Dawns’), a favourite track of mine by the great Cuban singer-songwriter Polo Montañez. Lovely Cuban country music – you can dance salsa to this but also lots of other things!
I haven’t written a lot about salsa on this blog for the past few months, so my resolution for 2016 is that I’m going to review as many salsa events and classes in the Manchester area as I can. Nothing harsh or over-critical, but just telling people what they can expect, what experience is on offer at each.
I’m looking forward to having a lot of fun!
And meanwhile,if you want some sunshine to cheer up the post-holiday period, why not go on a sunny virtual salsa adventure around Latin America, with my book Travels on the Dance Floor, which is now available 30% off (usual bookshop price £7.95) if you go to
If you ever came anywhere near salsa, as dancer or listener, or ever went to Cuba, you will have heard the music of Juan Formell, who died on Thursday 1 May.
He was the leader, composer and bass player for Los Van Van, the greatest Cuban band of the past fifty years and arguably the greatest Cuban band ever. The style of music he created with Los Van Van – a blend of rock and jazz creatively integrated with Afro-Cuban rhythms and structures over a base which is essentially son – was unmistakable and influenced every other artist who has worked in the mix of styles and sounds we now know as ‘salsa’.
A modest presence with short grey hair who combined a quiet, concentrated manner with a genial, welcoming smile, he was an unmistakable presence whenever the band played, and was largely responsible for both the wit and inventiveness of their songs, and the incredible precision of their playing. Los Van Van’s standard of musicianship – honed by the magnificent Cuban musical education freely available to all children with ability – was staggering to those used to the amateurishness of European pop musicians. Formell clearly ran a very tight ship, but he had a tremendous sense of humour – see for example the video below, directed by Kerry Ribchester of Key2Cuba, where he plays the role of a hapless tour guide, abandoned by his tourist charges who all go off to dance after loading him with their belongings. His work with the band was also profoundly based in the Afro-Cuban religion, Santería – the delightful video for Chapeando shows the band led through the jungle and the human ear by Eleggua, the boy-god who opens the way for us through life’s difficulties, and the lyrics also celebrate Yemayá, the bountiful sea-goddess who provides us with fish – necesitamos tu produccion, Mama as the song says. Chapeando is probably the best album produced by any Cuban band in the past half-century. I saw Los Van Van live several times, in the UK and also in Cuba (see Travels on the Dance Floor for an account of one of their concerts in Havana), and their performances were full of incredible energy and joy as well as musical richness and precision. It was hard for anyone used to European bands to understand how they could go on playing and singing (and dancing!) with such energy for two and a half or three hours.
I’m sure the band – recently directed by Juan’s son Samuel – will go on and be as good as ever. But Juan’s achievement remains huge, and above all joyous. He gave happiness to so many people and his recordings will go on doing so. As he said himself, “My life has been entirely dedicated to music, and only makes sense when people make it theirs and enjoy it.”
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