Professor Sir Geoffrey Hill framed his valedictory lecture as Oxford Professor of Poetry earlier this month with a discussion of Charles Williams’s 1930 book, Poetry at Present – a fascinating choice because, to me at least, this is the weakest of Williams’s three critical books. Nonetheless Hill managed to fasten on a brief passage about the nature of poetry which he then used as a standard for judging poems, and applied it to the work of Larkin, Edward Thomas and others.
I was delighted – and not merely because he recognised Williams’s brilliant critical acumen, which has been overlooked for so long – but also because he raised doubts about the quality of several of Larkin’s poems, as I have done recently (though with reference to different Larkin poems) in the journal PN Review, in a discussion of James Booth’s recent biography. I’m sure Larkin is currently overrated, good though some of his poems are, and it’s encouraging to find Hill taking the same view.
The lecture is well worth listening to: it winds around and you may think he is rambling, but in fact it all turns out to be very cogent, and his final point is impressive and even devastating. After coming back to Williams, and the perceptive quotation from which he began, Hill quotes the choreographer Mark Morris as saying ‘I’m not interested in self-expression but in expressiveness’. He’s absolutely right.
If you’d like to listen to a podcast of the lecture, just click on this link (from the Oxford English Faculty page) here.