Grevel Lindop

Poet, biographer, critic, essayist and writer on just about everything

MANCUBAN MONDAYS!

This week, for the second in my series surveying Manchester salsa classes and events, I’m looking at Mancuban Salsa – especially their Monday evening classes.

mancubanlogo[1]Les and Lorraine of Mancuban were among the earliest teachers to offer Salsa in Manchester, and their classes are still up there with the very best of the Cuban Salsa scene. In fact they’ve gone from strength to strength, thanks to regular visits to Cuba to work with leading professional Cuban dancers. This means that they have a wealth of authentic experience in Rumba and Orishas as well as in mainstream Salsa and are able to teach all of these.

Monday evening classes are at the Ape and Apple pub, 28-30 John Dalton Street, Manchester M2 6HQ (Beginners and Improvers 7:15; Intermediate Salsa/Casino Rueda 8.00; Advanced Cuban Salsa 9.00; dancing 10-11. £5 per class, two classes for £9). Amanda and I have been fairly frequent attenders at these, and always get a lot out of them.

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Stylish dancing between classes @ the Ape and Apple

Lorraine’s an inspiring teacher who works to a very high standard, yet manages to do it without being intimidating. She’s an enthusiastic and encouraging teacher for beginners; and for the more experienced, she has a sense of how to help dancers develop and improve by gentle attention to small details. Lorraine’s years of experience with many kinds of Cuban dance give her a depth of knowledge which is genuinely rare in the UK.

Les, besides having a similar level of experience with Cuban dance, is one of the most purely entertaining teachers I’ve come across (readers of my book Travels on the Dance Floor will spot him there as the teacher ‘who could have made a living as a stand-up comedian’!). At the advanced level he tends to specialise in teaching quite intricate moves – there’s always that ‘little bit on the end’ that I find quite challenging, being a bit of a slow learner myself. But the advantage is that even if you remember only a quarter of a move, you usually come away with something new that you can actually use on the dancefloor.

The Rueda classes often include elements of Orisha dances – the Afro-Cuban dances associated with the West African gods brought to Cuba by the slaves and fused into the Cuban religious culture of Santería. This is truly valuable, because Salsa gets its spiritual dimension from the elements of Afro-Cuban religion that find their way into the music and dance. You may not know it, but many of the tracks you dance to in clubs or classes have lyrics about the Santería gods: this is spiritual music that’s completely at home in a secular context. (I have a theory that this is one reason Salsa is so addictive: it works on levels other dances don’t reach!)

 

The venue has a good wooden dancefloor, and Les’s sound system is outstanding – both he and Lorraine do a lot of DJing – and there’s a fair amount of time for free dancing between and after the classes. It’s a notably friendly crowd so newcomers at all levels get a warm welcome.

Other points to consider: Classes are upstairs in a pub; if you want a drink you’ll need to bring it up from the bar downstairs. And we tend to be on Cuban time here: classes often run over and things are fairly relaxed, so don’t expect your class to start and finish exactly on time!

If you want to learn more about links between Salsa and the Afro-Cuban gods, or simply escape February in the UK for a Salsa tour of the Caribbean, try my book Travels on the Dance Floor (currently available at 30% off) – just follow this link:

http://www.carltonbooks.co.uk/books/products/travels-on-the-dance-floor-one-mans-journey-to-the-heart-of-salsa-1

Other Mancuban classes to note: Friday 10 a.m. to 12 noon at Langworthy Cornerstone, 451 Liverpool St, Salford M6 5QQ: Casino Rueda and Afro-Cuban, mixed levels, £6; and Sundays 3 pm  at The Jam Inn, 537-539 Wilbraham Rd, Chorlton, Manchester M21 0UE: Cuban Son, £5 (a really unusual class, which I’ll write about in a future post!).

 

REAL CUBAN SALSA WITH KERRY RIBCHESTER

When I first went to Cuba and took private dance lessons in Havana, I thought I knew something about salsa. So I was amazed when the teacher totally disregarded what I thought I knew, and simply started showing me how to move my own body. As I wrote in Travels on the Dance Floor,

 ‘We work for two hours, and at the end of it I haven’t actually taken a dance step. Instead I’ve started to develop a new sense of my own body, a new kind of internal map…. Gradually it started to come. My centre of gravity changes. I begin to find that it’s possible to loosen up and let the different parts of the body flow, or float, to the music almost independently. I realise I’ve had a habit of holding my body tightly together, as if afraid the bits of me would somehow come apart if I didn’t keep them together in one tense mass.’ http://www.amazon.co.uk/dp/0233002987?tag=grelinpoewrit-21&camp=1406&creative=6394&linkCode=as1&creativeASIN=0233002987&adid=1XFFFVTR08ZQK9V2VTFT&&ref-refURL=http%3A%2F%2Fgrevel.co.uk%2F

In the UK, salsa is too often taught as if it’s a matter of footwork and moves – arms and legs.  What I learned in Cuba is that the movement inside the body is far more important than the movement outside it. Once you’re dancing from your heart, your kidneys, your hips, the soles of your feet, and the earth, then the ‘moves’ can be added. But with just the moves, you’re not dancing Cuban salsa, your’re just prancing about.

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It’s hard to find that kind of teaching outside Cuba. One of the few who really does teach it is Kerry Ribchester, and it was great to have her back in Manchester this past week taking some workshops in all the things that go together to make a really great dance experience: body movement, attitude, really feeling and using the music, and relating in a warm and living way to your partner – the most important person in the world for the five minutes of that particular dance.

Kerry has huge experience of dance, having danced professionally in Brazil, coached Madonna and Kylie in onstage movement and – most importantly – visited Cuba to work with Cuban dancers several times a year for the past fifteen years. She has produced award-winning music videos in Cuba, and she communicates a depth of knowledge about dance I haven’t seen anywhere else, and she makes it really fun. Amanda and I never miss a chance to go to one of her workshops.

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We took her class with Solar Salsa at the Spread Eagle in Chorlton on Wednesday, and Amanda was also able to go to Kerry’s Saturday workshop at Sunshine Studios where they worked on the four ‘layers’ that make up the rich ‘cake’ of salsa: the Orisha dances of the Afro-Cuban gods; the Rumba (the competitive Afro-Cuban street dance which is all about attitude and maleness and femaleness); the Son – elegant social dance of the 1940s and 50s – and salsa itself, the spicy sauce that mixes them all.

Kerry’s workshops are highly recommended:

She also heads Key2Cuba, http://www.key2cuba.com/kerry.html which provides the best and most authentic Cuba trips for people who want to sample the culture and meet the people as well as enjoy the dancing. When I go to Cuba alone I usually do it independently because I’m good at handling the many hassles you always have to go through contending with that complex culture; but Amanda and I have been twice with Key2Cuba – most recently in March 2013 – and I recommend the trips strongly. No other dance tours have anything like the level of authenticity and local contact that you get with Key2Cuba.

 

Cuba is changing fast and if you’ve dreamed of going there, you should do it soon. And if you want to go with a group, Key2Cuba is the one to check out. http://www.key2cuba.com/kerry.html