Grevel Lindop

Poet, biographer, critic, essayist and writer on just about everything

Hot Salsa & Cool Air @ Republic

Republic of Salsa delivered another great Cuban salsa party last night at Chorlton Irish Club. And anyone scared off by memories of the slippery, sweaty hell we all went through last time needn’t have worried: this time the air conditioning was perfect. Cool, in every sense.

Dark Magician: somewhere in his magic cave, Les mixes the music...

Les and Andy kept the floor hot with a great fuelling of salsa tracks, the new lights (think laser-red with interlacing patterns of intense green) were fabulous, and both movie-screens were flickering away to create atmosphere – Oliver Stone’s Castro documentary on one wall and Buena Vista Social Club on the other. Plus an interesting (?Cuban?) pop video I couldn’t identify. Where did you get that one, guys? The only factor missing was Lorraine, still on her camping holiday in Wales. Mil besitos, Lorraine, and hope you’ve got some sunshine! We missed you.

Les gets the whole room dancing Bachata

Les gets everyone dancing bachata

Les kicked off the evening with a great Bachata class, teaching a simple, classic routine that anyone could master but also felt like dancing real bachata. A huge confidence-boost for bachata-dabblers like me.

Radiant: Solar Salsa's Mike and Pauline
Radiant: Solar Salsa’s Mike and Pauline

As always, the crowd was wonderfully mixed. Teachers I spotted on the dancefloor included Pauline and Mike from Solar Salsa, Andre from Baby Salsa, and Mo from Cuba Cafe. There were crowds of friends from Opus, Spreadeagle, Cuba Cafe, La Tasca, and Copas – plus a lot of people I hadn’t seen for months and was really glad to have a dance with again. There were two or three great rueda sessions, and given the decibel level, the Solar Salsa teachers’ skill with hand signals really came into its own. I’m probably going deaf (too many years of loud music) but as long as Pauline’s that good at semaphore it won’t matter too much!

Before finishing I have to apologise to La Casa de la Salsa: I had wanted to go to the Ball on Friday but couldn’t make it for reasons beyond my control.  I’m sure it was fabulous. Next time I’ll get there.

Oh, and a final PS: Anyone wants to take pics off this blog, from this post or any other, go ahead and copy them (click your right mouse button to ‘copy’ then ditto to ‘paste’). it’s fine to use on FB if you want. Just please give a credit to www.grevel.co.uk – thanks!

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Mojito Heats Up Albert Square in Manchester Jazz Festival

It was a superb salsa workout last night as local Latin bands Diaspora and Mojito put on dazzling performances as part of the Manchester Jazz Festival.

Diaspora keep the dancers happy

Diaspora (whom I hadn’t heard before) took us through a whole range of music including son and samba as well as salsa. They’re a big orchestra – 14-piece as far as I could count from where I was – with emphasis on brass, piano and vocals. The style is Latin jazz, not unlike the Alex Wilson sound if you’re familiar with that: some of it just forced you to get up and move, and all of it was highly listenable. I hope to hear a lot more of Diaspora.

Mojito hypnotises dancers with authentic Cuban goodtime music

As for Mojito, well, I’m fanatical about their music. If you’re not familiar with them, you might think at first that they’re less polished than the very slick Diaspora, but the fact is they have an inimitable Cuban texture and spontaneity: the music is chunkily percussive, the rhythms magical and muscular, and there’s a huge charm and humour in Damian’s singing. This is real intense Cuban good-time music and it has the hypnotic power of the Orishas, the flavour of Afro-Cuban spirituality inside it. There isn’t another band like Mojito around, and hence the huge following they’ve built up.

Sure enough, they progressively whipped up the audience into sweaty salsa heaven and their final number was a crazy tour-de-force of exuberant vocal gymnastics from Damian, utterly wonderful because he shares so much joy and has such a rapport with his audience.

One plea to the organisers – could we have a real dancefloor next time so the ladies don’t break their heels on the cobbles?

I just hope the Manchester Jazz Festival has won a host of new admirers for these two great Manchester bands – and maybe for salsa too.

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Salsa Travels in Paperback!

At last I’m in paperback. My book Travels on the Dance Floor has just appeared in the new format – and at half the price! – from publishers Andre Deutsch.

I’m pleased that they’ve kept the same funky, deeply colourful, slightly gritty look for the cover design (a bit pale in this jpeg – the one at right is more accurate!) – I wanted it to reflect the look of the beautiful, battered buildings of Cuba and other Latin American cities, where nothing is pristine, but the used-and-abused look only adds to the charm of the cityscape.

But they have added a corner-flash saying that Travels was listed as Authors’ Club Dolman Best Travel Book 2009 – something I’m very proud of, even though the actual prize was won by a more scholarly tome. It was a very short short list, believe me.

What has delighted me even more than the listing has been the wonderful response I’ve had from readers – and by no means only from people who dance. People still come up to me in the street, at parties, at literary events, or they email me, to tell me how much they enjoyed it. Typical comments have been ‘I tried to read slowly because I couldn’t bear it to finish.’ ‘It was written so beautifully that I could see everything in my head like a movie in full colour.’ 

Hector - Panama City bus artist

Am I boasting? Of course. But I’m also full of gratitude that I’ve been able to give readers so much enjoyment. A matter of sharing the delight I myself took in the adventure.

Travels sometimes gets referred to as my ’salsa book’, but the truth is that I used dance as a way into Latin American and Caribbean culture generally: a way to get close to people, to learn from them, to explore the sides of these countries that the tourists don’t get to see.

I travelled through Cuba, Venezuela, Colombia, Panama, Puerto Rico, the Dominican Republic, and ended up in Miami, Fla. I took lessons in the local dance styles in each country, and I explored the clubs and dance halls. I met magicians and pagan priests, policement and prostitutes, poets and musicians. I met a guy who made a living painting pictures on the sides of buses, an haute couture designer,  and several lunatics. All of them were fascinating. And I met them pretty much on equal terms. I got robbed, I got arrested, I got lost, and I had the most wonderful time – better than I could ever have imagined.

Aïda: her Colombian smile brightened stressed-out Caracas!

Aïda: her Colombian smile brightened stressed-out Caracas!

I fell in love with these countries, their music, their culture and their people. And since I wrote the book with total honesty – and absolutely no regard for political correctness - I have to say that I fell in love above all with Latin American women, surely some of the most beautiful in the entire world. You will meet many of them in the book, and I hope you’ll be as enchanted by them as I was.

Whether or not you dance salsa, tango or anything else, enjoy!

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